2021 Pitch day submissions are now closed. Please stay updated for our 2022 edition.

Have you got an idea for a web or TV series? Are you ready to pitch it to an industry panel? 

For the third time, we are hosting our annual Pitch Day on Saturday, November 6, 2021.
We are looking for innovative and bold projects from the Nordic region, which includes Denmark, Finland, Sweden, Norway, Iceland, Faroe Islands and Greenland.

We welcome any genre (fiction, non-fiction, animation...) and stage of production (idea development, season 2...). 

As a selected project, you will receive a two-part pitch training in the week of 1-5 November 2021 (final dates to be confirmed). All events including training and Pitch Day will take place online, so you don’t need to travel to Copenhagen to take part.
*The best pitch will be awarded with the best pitch award of 2021* Click here to see our previous winners.

Please submit below your name, contact, a synopsis and your stage of production. Applications close on September 20th.

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pitch   coach  &  Moderator 

Helene Granqvist is a Swedish producer and creative player of the global film industry. Since 2018, she is president of Women in Film & Television International working towards a more gender-balanced and sustainable global film industry. Her campaign 10% for 50/50 has been launched at Göteborg Film Festival 2019 and attached already over a dozen companies world-wide. As a film producer, with her own production house Nordic Factory, she produces film and TV in various forms, most recently the documentary THE FEMINIST, the feature GRANNY IS DANCING ON THE TABLE and the short film LISTEN.

2021    pitch Jury

Laura Valentiner-Bohse is a producer at DR Drama with a main focus on youth series. Alongside her fulltime job, she is on her last year of the independent filmschool Super16. Recently she has produced a mini-series for DR3 “Dating for letøvede”, a documentary “Born Free” about the Zimbabwean youth and a short “Vilde Sind” that’s nominated for at Robert (The Danish Film Academy).  Its an exciting time to be making fiction and Laura believes that the broadcasters, the established filmindustry and the upcoming filmmakers have a lot to learn from each other. Laura hopes to never be known for doing a certain kind of storytelling. She aspires to be challenging formats, stories and genres her whole career. As long as the project rings true and we’re trying to shed light on something in a different way. 
re to edit.

Caroline Eybye: After graduating from the National Film School of Denmark with a Danish Academy award winning graduation film, she began working as a producer at the production company Fridthjof Film. She produced Venice winner documentary “The War Show” and coproduced the Finnish feature film “Tom of Finland”. After a short stop at Michelin
restaurant noma where she worked as a project manager, she started working as a
producer at Nordisk Film Production. Here she worked on Martin Zandvliet´s Netflix
Original “The Outsider” and Paprikas Steens feature film “That Time of Year”.
In 2020 she shifted to the newly established production and distribution company True
Content Production where she works with both established and new talent in all kinds of
projects.

Photo:  Jakob Lindberg Pechou

Isabelle Lindberg Pechou is the Founder of the Drama Agency, a consultancy company specialized since 2016 in Fiction Talents and projects scouting, development and matchmaking with creative and financing partners.  
Her latest positions include VP of Drama development for the UK based prodco Nucleus Media Rights as well as Coproductions and Senior Sales Manager at danish company REinvent Studios, where she lately served as Creative Producer on the first Faroese TV series Trom, coming on Viaplay in 2022.
And also International Coproductions Manager at Zentropa´s owned company, TrustNordisk; Acquisitions Executive and International Fiction scouting Manager at French pubcaster France Télévisions for 16 years. She is also a MEDIA fiction expert.
She was both educated in French and German private law, as well as in script development. 
Isabelle is comfortable with material in 8 languages. Her precise knowledge of drama development coupled with a natural empathy for people, give her the ability to understand the talents, their characters and their stories, and to support and boost the projects she is involved in as Creative Producer. Her 20+ years of experience allows her to develop a certain ability to recognize and match shows, talents and partners. Her favorite genres are Crime, Sci-Fi, Fantasy and romantic comedies.

Ene Katrine Rasmussen holds a Master degree in film studies from Copenhagen University. She has been a programme manager at a local community TV-station and in 1996 she started working at the Danish Film Institute as a Production manager at the Danish Film Workshop. In 1999 she worked on an educational TV production for DR TV and in 2004 she worked 3 month at TV2 Sales. She’s an EAVE graduate from 1997. Since February 2009 she has worked as head of the Danish MEDIA Desk advising producers on MEDIA funding, doing information work and organizing seminars. Parallel to this she has
participated in several MEDIA supported training programs and has a broad European network. She’s now heading the part of the Danish Creative Europe Desk that informs the audiovisual sector.